Harrison C An Introduction to Art Yale University Press 2010

1 Introduction: What is Art? No readings assigned. 2a Learning to Await/Interpreting What Nosotros Encounter

John Berger, Ways of Seeing (London: Penguin, 1972), vii–33. ISBN: 9780140135152.

Marita Sturken and Lisa Cartwright, "Images, Power, and Politics," inPractices of Looking: An Introduction to Visual Culture (Oxford: Oxford University Press, 2009), 9–48. ISBN: 9780195314403.

2b The Devotional Image Michael Baxandall, "Conditions of Trade," inPainting and Experience in Fifteenth-Century Italia (Oxford: Oxford University Press, 1988), 1–29. ISBN: 9780192821447. 3a Pictorial Space and Perspective Leon Battista Alberti, "On Painting" (1453), in Italian Art, 1400–1500: Sources and Documents, ed. C. Gilbert (Evanston, IL: Northwestern University Press, 1991), 51–75. ISBN: 9780810110342. 3b Media Revolutions: Paint and Print in the Due north Joseph Koerner, "Albrecht Dürer: A Sixteenth-Century Influenza," in Giulia Bartram et al., Albrecht Dürer and his Legacy: The Graphic Work of a Renaissance Artist (Princeton: Princeton University Press, 2002), 18–38. ISBN: 9780691114934. 4a Worlding the Italian Renaissance

Jill Burke, "Nakedness and Other Peoples: Rethinking the Renaissance Nude." Art History 36, no. 4 (2013): 714–739.

Paul Forest, "Renaissance and Onetime World," inWestern Art and the Wider World (Oxford: Wiley-Blackwell, 2014), 12–51. ISBN: 9781444333923.

4b Leonardo, Michelangelo, Raphael: Making Renaissance Art

Leonardo on Painting: An Anthology of Writings, ed. M. Kemp (New Haven: Yale University Press, 1989), 9–ten, xix, 38–46, 220–228. ISBN: 9780300090956.

William E. Wallace, "A Week in the Life of Michelangelo," in Looking at Italian Renaissance Sculpture, ed. South. Blake McHam (Cambridge: Cambridge University Press, 1998), 203–22. ISBN: 9780521479219.

5a Representing Women

Suzanna Danuta Walters, "Visual Pressures. On Gender and Looking" inMaterial Girls: Making Sense of Feminist Cultural Theory (Berkeley: University of California Press, 1995), 50–66. ISBN: 9780520089785.

Rose Marie San Juan, "The Courtroom Lady's Dilemma: Isabella d'Este and Art Collecting in the Renaissance." Oxford Art Periodical, 14/1 (1991), 67–78.

5b The Status of the Artist

Linda Nochlin, "Why Have In that location Been No Keen Women Artists?" (1971), in Women, Art, Power and Other Essays (New York: Harper & Row, 1988), 145–178. ISBN: 9780064301831.

Giorgio Vasari, "Introduction" (optional) and "Preface" (1550) to Vasari, The Lives of the Artists, ed. J.C. Bondanella and P. Bondanella (Oxford: Oxford University Press, 2008), vii–xiv, 3–6. ISBN: 9780199537198.

half dozen Art as Theater in 17^th-Century Rome Genevieve Warwick, "Speaking Statues: Bernini's Apollo and Daphne at the Villa Borghese". Art History 27 (2004): 353–381. 7 Dutch Fine art in Global Perspective

 Julie Hochstrasser, "Remapping Dutch Art in Global Perspective: Other Points of View," in Cultural Contact and the Making of European Fine art since the Age of Exploration, ed. Mary D. Sheriff (Chapel Hill: Academy of North Carolina Press, 2010), 43–71. ISBN: 9780807872703.

Thijs Weststeijn, "Cultural Reflections on Porcelain in the 17^th-Century Netherlands," in Chinese and Japanese Porcelain for the Dutch Golden Age, ed. J. van Campen and Titus Eliens (Amsterdam: Uitgeverij De Kunst, 2014), 213–229. ISBN: 9789491196805.

8a Art and Absolutism in France and Spain Norman Bryson, "The Legible Torso: Le Brun," inFrench Painting of the Ancien Régime (Cambridge: Cambridge University Press, 1981), 29–57. ISBN: 9780521276542. 8b Public Exhibitions: Enter the Fine art Critic

Thomas Crow, "The Salon Exhibition in the Eighteenth Century," inPainters and Public Life in Eighteenth-Century Paris (New Haven: Yale University Press, 1985), ane–22. ISBN: 9780300033540.

Étienne de La Font de Saint Yenne, "Reflections on Some Causes of the Present Land of Painting in French republic," in Art in Theory, 1648–1815, ed. Charles Harrison et al. (Oxford: Wiley-Blackwell, 2000), 554–561. ISBN: 9780631200642.

9a The Lure of the Antique

Johann Joachim Winckelmann, from Reflections on the Faux of Greek Works in Painting and Sculpture (1755) in Art in Theory, 1648–1815, 450–456. ISBN: 9780631200642.

Anonymous, Salon reviews from Mémoires Secrets (1783, 1785) in Fine art in Theory, 1648–1815, 695–701. ISBN: 9780631200642.

Andrew McClellan, "Nationalism and the Origins of the Museum in France," in The Formation of National Collections of Art and Archæology (Washington: National Gallery of Fine art, 1996), 29–39. ISBN: 9780894682025.

9b Across Representation: Color and Bear upon

Angela Dunstan, "Nineteenth-Century Sculpture and the Imprint of Authenticity." Interdisciplinary Studies in the Long Nineteenth Century xix (2014).

Peter John Brownlee, "Color Theory and the Perception of Art." American Art 23, no. 2 (Summer 2009): 21–24.

Judith Walsh, "Winslow Homer and the Color Theories of Michel-Eugène Chevreul," in Watercolors by Winslow Homer: The Color of Light, ed. Martha Tedeschi and Kristi Dahm (New Haven: Yale Academy Press, 2008), 198–205. ISBN: 9780865592261.

Jordanna Bailkin, "Indian Xanthous: Making and Breaking the Regal Palette," in Empires of Vision: A Reader, ed. Martin Jay and Sumathi Ramaswamy (Durham, NC: Duke University Press, 2014), 91–110. ISBN: 9780822354482.

10 Romanticism and Empire

Edward Said, Orientalism (1978), anthologized in Art in Theory, 1900–2000: An Anthology of Changing Ideas, ed. C. Harrison and P. Wood (Oxford: Blackwell, 2003), 1005–1009. ISBN: 9780631227083.

Linda Nochlin, "The Imaginary Orient," in The Politics of Vision: Essays on Nineteenth-Century Art and Society (New York: Westview Press, 1989), 33–59. ISBN: 9780064301879.

Zeynep Çelik, "Speaking Dorsum to Orientalist Discourse," in Orientalism's Interlocutors: Painting, Architecture, Photography, ed. J. Beaulieu and Thou. Roberts (Durham, NC: Knuckles University Printing, 2002), 19–42. ISBN: 9780822328742.

11a Photography and Photographic Truth

Charles Baudelaire, "The Modernistic Public and Photography," and Oliver Wendell Holmes, "The Stereoscope and the Stereograph," in Art in Theory, 1815–1900: An Anthology of Changing Ideas (Oxford: Wiley-Blackwell, 1998), 666–672. ISBN: 9780631200666.

Jonathan Crary, extract on the stereoscope from Techniques of the Observer (1990), in The Nineteenth-Century Visual Civilization Reader, ed. V. Schwartz and J. M. Przyblyski (New York: Routledge, 2004), 82–92. ISBN: 9780415308663.

Richard Kreitner, "Stereoscopes could change how we run across the world—again." Boston Globe, August xvi, 2015.

11b The Artist and the Metropolis Charles Baudelaire, "The Painter of Modern Life" (1863), in Baudelaire, The Painter of Modern Life and Other Essays, ed. J. Mayne (London: Phaidon Press, 1995), 1–41. ISBN: 9780714833651. 12 The Artist and the Metropolis, part two Griselda Pollock, "Modernity and the Spaces of Femininity," in Vision and Departure: Femininity, Feminism and the Histories of Art (London and New York: Routledge, 1988), 50–90. ISBN: 9780415007221. 13a Modernist Primitivism

Simon Gikandi, "Picasso, Africa, and the Schemata of Divergence." Modernism/Modernity 10 (2003): 455–80.

Mark Antliff and Patricia Leighten, "Primitive," in Critical Terms for Art History, ed. R. S. Nelson and R. Shiff, second edition, (Chicago: University of Chicago Press, 2003), 217–233. ISBN: 9780226571683.

13b Surrealism and Dada

Tristan Tzara, "Dada Manifesto," and Richard Huelsenbeck, "Start German Dada Manifesto," in Art in Theory, 1900-2000: An Anthology of Irresolute Ideas, ed. C. Harrison and P. Wood (Oxford: Blackwell, 2003), 252–259. ISBN: 9780631227083.

William Pietz, "Fetish," in Disquisitional Terms for Art History, ed. R. S. Nelson and R. Shiff, 2nd edition, (Chicago: University of Chicago Printing, 2003) 306–317. ISBN: 9780226571683.

14a Abstract Expressionism: Art and Politics

Eva Cockroft, "Abstract Expressionism: Weapon of the Cold War" (1974), anthologized in Art In Modern Culture: An Anthology of Critical Texts, ed. Francis Frascina and Jonathan Harris (London: Phaidon Printing, 1992), 82–xc. ISBN: 9780064302241.

David Chicken, "Introduction," "Abstract Expressionism and Afro-American Marginalization," and "Dissent During the McCarthy Menstruum," in Reading Abstract Expressionism: Context and Critique, ed. E. Landau (New Haven: Yale Academy Press, 2005), 510–526. ISBN: 9780300106138.

14b After the Art Object: From Pop to Performance

Thomas Crow, "Sat Disasters: Trace and Reference in Early Warhol," in Modern Art in the Common Culture (New Haven: Yale Academy Printing, 1996), 49–65. ISBN: 9780300064384.

Adrian Piper, "Operation and the Fetishism of the Art Object" (1981), in Out of Club, Out of Sight, Vol. Ii: Selected Writings in Art Criticism, 1967-1992 (Cambridge, MA: MIT Press, 1996), 51–61. ISBN: 9780262661539.

15 Where Nosotros Are Now; Concluding Thoughts Kate Cowcher, "Luanda Onde Está? Gimmicky African Art and the Rentier Country." Critical Interventions eight, no. ii (2014): 140–159.

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Source: https://ocw.mit.edu/courses/4-601-introduction-to-art-history-fall-2018/pages/readings/

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